We’ve added new reviews to the WORLDSOUL by Liz Williams, POWERS by James A. Burton, WITCHES: WICKED, WILD & WONDERFUL, and ROBOTS: RECENT AI pages.
Year’s Best Interview #39: Tim Powers on “A Journey of Only Two Paces”Sean Wallace | Jun 28, 2012 in News
I have a big, fluffy, orange and white cat. His life seems pretty all right, what with the chasing stuff, rolling around, getting petted, and doing whatever he wants all the time. It got me thinking about Kohler’s resistance to Jack’s plan … do you think there’s anyone out there who, having figured out the angle of the wake, would have chosen differently? Do you think you might ever choose differently? Depending on what day you asked me, yes, I think I might have chosen the life of a cat in that nice old building! I often look at our cats — Uh-oh, you can imagine one of them thinking, it’s already ten-thirty and I’ve been sleeping on the windowsill! I’m supposed to be sleeping on the bookshelf now! — and envy their lives! MORE: Read the rest of the interview here! Year’s Best Interview #38: Gavin Grant on “Widows in the World”Sean Wallace | Jun 27, 2012 in News
You describe the Granny and her house as being friends, but the people in the house feel like a constant source of stress and pressure for her. The Granny connects more with the sentient house itself, rather than those in it. Can you describe that relationship more for us? It’s sometimes easier to deal with other things instead of people and having the house be sentient adds a new layer to the Granny’s people avoidance behaviors. She has bent the house—and herself—out of shape and made it a part of her new narrative, something she couldn’t coerce a person into doing. So it’s not a healthy relationship. More: Read the rest of the interview here! Year’s Best Interview #37: Kat Howard on “Choose Your Own Adventure”Sean Wallace | Jun 26, 2012 in News
Each section of this story touches on a setting or situation really vital to the fantasy genre. It reads like an exploration of what fantasy really means to its readers. What pushed or inspired you to use these topics? This story started, as many wonderful things do, via Twitter. I said that I was stuck on my current WIP, and so I was going to put on some music and dance around my office, and when I came back to my desk, someone would have written the next bit for me. When I looked back at the computer everyone had responded with “rocks fall, everyone dies.” (Okay, one person said “bombs fall,” but you get the point.) I laughed, and offered co-author credit for the brilliant endings, but then I started thinking about all the sort of things we know we’re not supposed to do in our writing, like end a story with “and then I woke up,” or write an Adam and Eve story, or start a work of fantasy in an inn, either because these elements have become overdone, or because they’re seen as cheating the reader. And I thought, what if you shoved all of those things in one story? How could you write it in a way that worked, and took them seriously? I am still sad that I couldn’t actually make “rocks fall, everyone dies” work. More: Read the rest of the interview here! Year’s Best Interview #36: Jeffrey Ford on “The Last Triangle”Sean Wallace | Jun 21, 2012 in News
The idea of “using” has all sorts of lovely resonances in “The Last Triangle”, as does the idea of needing help to break an addiction. Do you think Ms. Berkley saw herself in Thomas from the get-go, or did the realization come to her over time? I don’t believe either of them was conscious of their need for each other at first. Thomas is staying with Ms. Berkley before she discovers the “the last triangle.” As it turns out they both need each other in their loneliness but also are both eventually willing to make sacrifices for each other, and that latter fact elevates “using” to something else entirely. MORE: Read the rest of the interview here!
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